1) How did you first discover your genre?
— Back in 1990, I went up to Edinburgh to start my degree and came across an ad for West and Wilde (formerly Lavender Menace: http://www.gayinthe80s.com/2013/09/1982-bookshop-lavender-menace/): a whole shop dedicated to LGBT (though with less emphasis back then on the T) books. It was on the opposite side of the city centre from where I was living and studying, but there was always the option of stopping off at the Blue Moon Cafe in the LGBT Centre on the way there or back. Of course, the return journey was uphill: just what you don’t want when loaded down with exciting new purchases, free newspapers, and fliers for upcoming events. One author from then that I’m still reading now is the lovely Lee Lynch, who blogs on Women and Words (https://womenwords.org/) with me and the rest of the gang.
2) UK Meet began in 2010 with a dozen writers in a library in Ely. How do you think the genre’s changed since then?
— In some respects, the genre’s gone more mainstream: some of the big romance publishers are publishing LGBT stories — sometimes as part of series that have started, or include, het romances — and some of the smaller publishers that have always published lesbian and/or gay romances are branching out into wider areas of the whole QUILTBAG spectrum. I think we’re seeing more diversity across the board to be honest: race, (dis)ability, class, and so on. There’s still a lot of room for improvement, and I try to do my part by reviewing as widely as I can on a blog (http://goodbadandunread.com/) that mostly reviewed het romances before I was invited to join.
3) What one thing would you change about your genre?
— I still want to see books that show polyamoury in all its complexities: characters juggling multiple relationships on different levels and with varying degrees of interaction between the different partners. Too many authors assume that threesomes and moresomes are the standard, rather than only one possible way to connect — and not the commonest one in my experience.